Friday 4th of January I was to the great exhibition of Nan Goldins at Hasselblad centre in Gothenburg.
The photos touch me very deep and I really, really love them and I have them still in my brain and in my heart.
I like the way she compose the photos and use the LIGHT…
I also like the angles, the “love”, and the "kindness " she added to all the objects, both to all the friends/people and also to the objects that she catches by her camera.
I like the raw feeling, not some kind of polish surface, it really feels to look at her photos, you can’t get away easily… and I like that she trapped me the way she do.
I recommend you: See it, feel it!!!
The photos touch me very deep and I really, really love them and I have them still in my brain and in my heart.
I like the way she compose the photos and use the LIGHT…
I also like the angles, the “love”, and the "kindness " she added to all the objects, both to all the friends/people and also to the objects that she catches by her camera.
I like the raw feeling, not some kind of polish surface, it really feels to look at her photos, you can’t get away easily… and I like that she trapped me the way she do.
I recommend you: See it, feel it!!!
Nan Goldin
Nan Goldin, född 12 september 1953 i Washington DC, är en amerikansk fotograf. Hon började fotografera vid 16 års ålder, och hade sin första visning med svart-vita bilder av ”drag queens” när hon var 19 år. Hon studerade vid School of fine arts i Boston där hon tog sin Bachelor of Arts-examen 1977.
Nan Goldin, född 12 september 1953 i Washington DC, är en amerikansk fotograf. Hon började fotografera vid 16 års ålder, och hade sin första visning med svart-vita bilder av ”drag queens” när hon var 19 år. Hon studerade vid School of fine arts i Boston där hon tog sin Bachelor of Arts-examen 1977.
1978 flyttade hon till New York, och strax därefter började hon med sitt projekt ”The ballad of Sexual Dependency”, som exempelvis visades på Moderna Museet i Stockholm. Bilderna visar bland annat droganvändning, våld och aggressiva par. Vissa kritiker har kritiserat henne för att framställa heroinanvändning som glamoröst.
Hennes arbeten presenteras oftast som en diabildsshow, och har förutom på konstinstitutioner även visats på filmfestivaler. Temat för hennes tidiga bilder är kärlek, genus och sexualitet. Bilderna görs vanligtvis med tillgängligt ljus.
Hennes arbeten presenteras oftast som en diabildsshow, och har förutom på konstinstitutioner även visats på filmfestivaler. Temat för hennes tidiga bilder är kärlek, genus och sexualitet. Bilderna görs vanligtvis med tillgängligt ljus.
Sedan 1995 har hennes foton föreställt unga i förorter till Tokyo, landskapsbilder av New Yorks horisont, hennes älskare Siobhan, barn, föräldraskap och familjeliv. Hon bor för tillfället i Paris och New York.
Biography
Goldin was born in Washington, D.C. and grew up in the DC area suburbs in Maryland, but ran away from home and was fostered by a variety of families. Her later schooling was at the Satya Community School in Boston, where a teacher introduced her to the camera in 1968, when she was fifteen years old. Her first solo show was in Boston in 1973, based on her photography among the city's gay and transvestite communities, to which she had been introduced by her friend David Armstrong. It was he who renamed her "Nan". She graduated from School of the Museum of Fine Arts, Boston/Tufts University in 1977/8, where she had worked mostly with Cibachrome prints.
After graduation, she moved to New York City and began documentary photography of the post-punk new-wave music scene, and the city's vibrant gay subculture in the late 1970's and early 1980's, gradually being drawn in to the Bowery's hard drug subculture.
These photographs, taken from 1979 to 1986, form her famous work The Ballad of Sexual Dependency. The snapshot aesthetic images depict drug use, violent, aggressive couples and autobiographical moments. Most of her Ballad subjects were dead by the 1990s due to either drug overdoses or AIDS, including close friends and often photographed subjects, Greer Lankton and Cookie Mueller. In addition to the Ballad she combined her pictures in two other series I'll Be Your Mirror and All by Myself.
Goldin's work is most often presented in the form of a slideshow and has been shown at film festivals. Most famous is a 45 minute show in which 800 pictures are displayed. The main themes of her early pictures are love, gender, domesticity, and sexuality, usually made with available light.
Goldin's recent pictures (since 1995) have included a wide array of subject matter, including collaborative book projects with famed Japanese photographer Nobuyoshi Araki; landscapes of New York skylines; uncanny landscapes (notably of people in water); her lover, Siobhan; and babies, parenthood and family life. She was the winner of the 2007 Hasselblad Award.
In September of 2007, Northumbria Police seized the photograph "Klara and Edda belly-dancing" before it was shown at the Baltic Centre for Contemporary Art, on suspicion that it may have violated UK child pornography laws. The photo shows a young girl with her legs apart. According to an article by Reuters, dated 10-26-2007, one child is nude; this fact is in the caption under the second photograph with the article, at least the AOL on-line version. The photograph was on loan from the private collection of Sir Elton John who purchased it as part of the "Thanksgiving" installation in 1999
According to Sir Elton John
The photograph exists as part of the installation as a whole and has been widely published and exhibited throughout the world. It can be found in the monograph of Ms. Goldin's works entitled `The Devil's Playground' (Phaidon, 2003), has been offered for sale at Sotheby's New York in 2002 and 2004, and has previously been exhibited in Houston, London, Madrid, New York, Portugal, Warsaw and Zurich without any objections of which we are aware.
..but a spokeswoman for London's Saatchi Gallery has since confirmed that the picture was in fact one of the photographs which - following a complaint from Rupert Murdoch's News of the World tabloid - the Metropolitan Police Service's Obscene Publications Unit seized from the gallery's 2001 "I Am a Camera" exhibition.
However, at that time, the Crown Prosecution Service (CPS) deemed it not to be an indecent image.
As of October 1, 2007, in a statement from Jane Jackson, curator of the Elton John Photographic Collection: "We have made arrangements to close the 'Thanksgiving' Installation at The Baltic with immediate effect. It was always intended that the Installation be exhibited as a whole, and not on a piecemeal basis, and our decision has been made with regard to the artistic integrity of the work and the artist."
The photograph "Klara and Edda belly-dancing" was again judged "not indecent" by the Crown Prosecution Service.
Goldin currently lives in New York and Paris, resulting in the Pompidou Centre holding a major retrospective of her work in 2002. Her hand was injured in a fall in 2002, and currently remains with less ability to turn it than in the past.
Text from Wikipedia and
Text from Wikipedia and
photos from internet.
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